In Hawaii, it rains every day. The light rains barely disturb the seemingly constant sunshine. Foliage blooms, and the island is awash in a rainbow of orchids. Stress and tension melt away to the strains of The Beatles and Mozart. My mind now draws blanks at times and cannot recall trivial things, but I remember I once saw palm trees dancing to Lucy in the Sky with Diamonds. Young, bikini-clad ladies still stroll along beaches, catching the eyes of angst-ridden young men. Children run and play in thick grass, tumbling with glee. Adults sip Mai Tai drinks sharing knowing gazes, oblivious to the strife and poverty at the core of Oz. I lose my train of thought in mid-YellowBrickRoadsentence. Pink Floyd’s “Atom Heart Mother Suite” reeked of Stravinsky as I reeked of marijuana in the wee hours, listening. I wonder where my words come from when I talk; I don’t think of them before they come out of my mouth. Bonfires illuminate hula dancers draped with leis at luaus. Everyone shares in the feast of roasted pig. How the scent of the charred remains of dead animal flesh induces lustful saliva. The most complex ideas cannot survive. I laugh hysterically. Frank Zappa provides the soundtrack to my life. Pollen drifts on the breeze. The Hawaiian tropical storm passes before it is even noticed.
Shoreline Driftwood shares with its readers the unconventional insights of its author, Don Coorough, into current events, economics, politics, social activism, philosophy, mythology, psychology, neuroscience, the arts and culture, in addition to his poetry.
Thursday, May 13, 2010
It Rains Every Day
Labels:
Don Coorough,
imagery,
impressionism,
It Rains Every Day,
poetry,
prose poem,
psychedelic poetry,
psychedelicism,
symbolism
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